Henry Glintenkamp

Alt text: Landscape painting with trees and a mountain rising in the background

Henry Glintenkamp
American 1887 – 1946

Untitled Landscape, 1911
Oil on canvas
20 H. x 24 W. inches

Alt text: Painting of poplar trees and snow

Henry Glintenkamp
American 1887 – 1946
Poplars in Winter, 1912
Oil on burlap
32 H. x 26 W. inches
Signed lower right: Glintenkamp
Provenance: Estate of the artist

Alt text: Drawing of a woman with flowers in her belt

Henry Glintenkamp
American 1887 – 1946

Alt text: Ink drawing of a burlesque dancer

Henry Glintenkamp
American 1887 – 1946

Alt text: Sketch of a well dressed gentleman 

Henry Glintenkamp
American 1887 – 1946

Alt text: Ink drawing of a burlesque girl kicking a leg high

Henry Glintenkamp
American 1887 – 1946

Alt text: Sketch of a woman in a hat sitting before a mirror with her backside in the reflection 

Henry Glintenkamp
American 1887 – 1946

Alt text: Sketch of a standing person

Henry Glintenkamp
American 1887 – 1946

Alt text: Pencil sketch of a rotund woman in a hat

Henry Glintenkamp
American 1887 – 1946

Artist Description

The painter and illustrator Henry Glintenkamp (1887-1946) is known mainly for his anti-war illustrations that appeared in The Masses and other publications in the early twentieth century. As a painter, he was additionally successful, particularly in his landscape and urban scenes. Born in Augusta, New Jersey, the son of Hendrik and Sophie Dietz Glintenkamp, Henry received his elementary art training at the National Academy of Design (1903-06) before his study with Robert Henri the two years following. One student’s recollection of Henri’s classes, that of Helen Appleton Read, gives an indication as to the influence he effected on students such as Glintenkamp: “The old idea was to learn to draw the figure before the student had ideas.  Henri’s idea was to have ideas first, paint pictures, make compositions, which is the same thing; learn to draw as you go along. He taught us to paint from the inside out so to speak, try to find out that inner thing that made one particular man or woman different from any other man or woman. (William Innes Homer, 1969, p. 150).

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