Mario Korbel

Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture of a reclining woman
Alt text: Bronze sculpture, signature detail
Alt text: Bronze sculpture, foundry detail
Alt text: Bronze sculpture, underside

Mario J. Korbel (American, 1882-1954)
Night, 1921
Bronze, dark green and brown patina, parcel gilding to hair and drapery
14 ⅛ H. x 24 W. x 15 ½ D. inches
Signed on base: MARIO KORBEL ©
Inscribed on base:
ROMAN BRONZE WORKS N-Y-

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Alt text: Bronze sculpture of two classical women looking at each other holding drapery in one arm and extending the other to hold hands
Alt text: Bronze sculpture of two classical women looking at each other holding drapery in one arm and extending the other to hold hands

Mario J. Korbel (American 1882-1954)
Andante, 1917
Bronze, green and brown patina
30 H. x 35 3⁄4 W. x 8 3⁄4 D. inches
Edition of 7 casts.
Signed: Mario Korbel 1917 Inscribed: Roman Bronze Works, N-Y-

One of Korbel’s best-known sculptures, this composition has been called both Andante and Dancing Girls. In 1917 Korbel reworked an allegorical group, Architecture and Sculpture (ca. 1916), which depicts two dancing nudes holding products of their arts—one, a model of a building, and the other, a statuette.

For Andante, Korbel removed the attributes and added stylized draperies to unify and balance the composition of two dancers on tiptoe facing one another and touching with the fingers of their right hands. Andante is one of a series of dancing figures by Korbel, its title referring to the moderate pace of the figures’ rhythmic movement. Whereas the drapery falling in deep and precise folds from the nudes’ bent left arms gives the composition a formality that suggests the artist’s indebtedness to early classical Greek sculpture, the smooth surfaces and idealized bodies of the two young women parallel the simplified nudes of Aristide Maillol. Andante was included in Korbel’s one-artist exhibition at the Gorham Galleries on Fifth Avenue, in 1917.

Andante was cast in an edition of seven, one of which was purchased by The Metropolitan Museum of Art. In 1926, Korbel enlarged Andante to a scale of 43 inches high and made two castings in this size.

Alt text: Bronze sculpture of a nude woman holding a piece of fabric behind her
Alt text: Bronze sculpture of a nude woman holding a piece of fabric behind her
Alt text: Bronze sculpture of a nude woman holding a piece of fabric behind her

Mario J. Korbel (American 1882-1954)
Nocturne, 1920
Bronze, dark green and brown patina
22 3⁄4 H. x 12 1⁄2 W. x 6 1⁄4 D. inches
Mounted on period marble base: 5 H. x 7 W. inches
Signed: Mario Korbel / © 1920 / No 9


Artist Biography

Mario Korbel was born in Osik, Bohemia (now Czech Republic) on March 22, 1882, to a clergyman, Joseph Korbel and his wife Katherina Dolezal Korbel. He began studying sculpture in his homeland, continuing his studies after moving to the United States at age 18. He returned to Europe and continued his studies in Berlin, Munich and Paris.

He was one of a dozen sculptors invited to compete in the Pioneer Woman statue competition in 1927, which he failed to win.

Korbel was a member of the National Sculpture Society. He was elected into the National Academy of Design in 1937 as an Associate member and became a full Academician in 1944.

He died March 31, 1954 in Manhattan, New York City.