Robert Engman
Robert Engman (American, 1927-2018)
Untitled, c. 1954
Bronze with dual, polished and matte surfaces
27 H. x 24 ¼ W. x 17 ¼ D. inches
Mounted on original marble plinth, 8 H. inches
Overall height: 35 inches
Provenance:
Acquired from the artist, circa 1954
Private collection, New York
By descent
Robert Engman
American 1927–2018
Iyengar
Polished bronze
14 x 18 x 12 in.
Marble base: 1 1/4 in.
Stamped edge: Edition of 12
Robert Engman
American 1927–2018
Moon
Bronze
12 3/4 x 8 3/4 in.
Edition of 15
Robert Engman
American 1927–2018
Linear Series, Oliver
Fabricated steel rods
28 x 24 x 24 in.
Edition of 8
Robert Engman
American 1927–2018
Three Warped Circles
Bronze, green patina, on marble base
27 H. x 29 3 ⁄4 W. x 23 1/2 D. inches
Edition of 8 casts
Robert Engman
American 1927–2018
Iyengar
Cast stainless steel
14 x 18 x 12 in.
Marble base: 1 1/4 in.
Stamped edge: Edition of 12
Artist Description
Engman was born in 1927 to parents who had emigrated from Sweden. He joined the Navy at the age of 15, serving in World War II in the Pacific. He graduated from the Rhode Island School of Design with a BFA, and from Yale University with an MFA in 1955, in Painting and in Sculpture, where he studied with Josef Albers. Albers wrote of him: “Only a few independent ones were courageous enough to concentrate on the plane—the in-between of volume and line—as a broad sculptural concept and promise.”
Engman has taught sculpture at Yale University, and at the University of Pennsylvania (“Penn”).
Students collaborated with Engman to create the Peace Symbol (1967) sculpture which was installed in front of the Van Pelt Library at Penn in 1983.
One of his best-known sculptures, Triune (1975), stands at the southwest corner of Philadelphia City Hall. Another work, Kings (1975) is at 78th and Lindbergh Streets, also in Philadelphia.
In his work, he often explores minimal surface intersections of geometric forms. Others have been fascinated with the science and mathematics of such surfaces, including the late R. Buckminster Fuller.
