Robert Engman – Michener Series

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Alt text: Abstract bronze sculpture of two distorted and conjoined circles

Robert Engman (American, 1927–2018)
Two Circles, Variation 2
Bronze, 8 ½ H. x 7 W. x 6 D. inches
Edition of 25

Alt text: Abstract bronze sculpture of two distorted and conjoined squares and one circle
Alt text: Abstract bronze sculpture of two distorted and conjoined squares and one circle

Robert Engman (American, 1927–2018)
Oval, Two Squares, One Circle
Bronze, 10 ½ H. x 6 W. x 4 ½ D. inches
Edition of 25

Alt text: Abstract bronze sculpture of two distorted and conjoined squares
Alt text: Abstract bronze sculpture of two distorted and conjoined squares

Robert Engman (American, 1927–2018)
Iconic “Mask,” Variation 2
Bronze, 8 ½ H. x 6 ½ W. inches
Edition of 25

Alt text: Abstract bronze sculpture of a single distorted and conjoined circle
Alt text: Abstract bronze sculpture of a single distorted and conjoined circle
Alt text: Abstract bronze sculpture of a single distorted and conjoined circle
Alt text: Abstract bronze sculpture of a single distorted and conjoined circle

Robert Engman (American, 1927–2018)
Single Circle, Variation 2
Bronze, 9 H. x 6 ½ W. inches
Edition of 25

Alt text: Abstract bronze sculpture of two distorted and conjoined squares

Robert Engman (American, 1927–2018)
Two Squares, Variation 2
Bronze, 8 ½ H. x 7 W. inches
Edition of 25

Archive

Alt text: Abstract bronze sculpture of distorted and conjoined ovular shapes

Robert Engman (American, 1927–2018)
Iconic, Variation 3 – Triune
Bronze, 10 ¼ H. x 8 ¾ W. x 6 ¾ D. inches
Edition of 25

Alt text: Abstract bronze sculpture of three distorted and conjoined circles

Robert Engman (American, 1927–2018)
Three Circles, Variation 3
Bronze, 8 ¼ H. x 8 W. x 5 D. inches
Hand scribed on sculpture by artist RE ‘03
Edition of 25

Alt text: Abstract bronze sculpture of two distorted and conjoined circles
Alt text: Abstract bronze sculpture of two distorted and conjoined circles
Alt text: Abstract bronze sculpture of two distorted and conjoined circles
Alt text: Abstract bronze sculpture of two distorted and conjoined circles
Alt text: Abstract bronze sculpture of two distorted and conjoined circles

Robert Engman (American, 1927–2018)
Two Circles, Variation 13
Bronze, 8 H. x 7 W. inches
Edition Of 25

Alt text: Abstract bronze sculpture of two distorted and conjoined squares

Robert Engman (American, 1927–2018)
Two Squares, Variation 8
Bronze, 8 H. x 8 W. inches
Edition of 25

Alt text: Abstract bronze sculpture of distorted and conjoined spheres
Alt text: Abstract bronze sculpture of distorted and conjoined spheres
Alt text: Abstract bronze sculpture of distorted and conjoined spheres
Alt text: Abstract bronze sculpture of distorted and conjoined spheres
Alt text: Abstract bronze sculpture of distorted and conjoined spheres

Robert Engman (American, 1927–2018)
Iyengar, Variation 3
Bronze, 9 ¼ H. x 9 W. inches
Edition of 25

Alt text: Round bronze sculpture
Alt text: Round bronze sculpture
Alt text: Round bronze sculpture
Alt text: Round bronze sculpture
Alt text: Round bronze sculpture

Robert Engman (American, 1927-2018)
Single Circle, Variation 1, 2014
Bronze, green patina, 8 ½ H. x 8 W. inches
Base: 4 ½ inch square
Stamped: ENGMAN
Edition number 4

Artist Biography

Engman was born in 1927 to parents who had emigrated from Sweden. He joined the Navy at the age of 15, serving in World War II in the Pacific. He graduated from the Rhode Island School of Design with a BFA, and from Yale University with an MFA in 1955, in Painting and in Sculpture, where he studied with Josef Albers. Albers wrote of him: “Only a few independent ones were courageous enough to concentrate on the plane—the in-between of volume and line—as a broad sculptural concept and promise.”

Engman has taught sculpture at Yale University, and at the University of Pennsylvania (“Penn”).

Students collaborated with Engman to create the Peace Symbol (1967) sculpture which was installed in front of the Van Pelt Library at Penn in 1983.

One of his best-known sculptures, Triune (1975), stands at the southwest corner of Philadelphia City Hall. Another work, Kings (1975) is at 78th and Lindbergh Streets, also in Philadelphia.

In his work, he often explores minimal surface intersections of geometric forms. Others have been fascinated with the science and mathematics of such surfaces, including the late R. Buckminster Fuller.